The Warped Shelf – Y: The Last Man, Part Two
At last we’re tackling the second half of Brian K. Vaughan and Pia Guerra’s acclaimed series. Does it stick the landing? Episode #125
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The Warped Shelf – Y: The Last Man, Part One
Time for another comic book deep dive with the first half of Brian K. Vaughan’s and Pia Guerra’s iconic series. Episode #115
Read moreThe Warped Shelf – Peacemaker
This week we’re throwing our dog the invisible bone and talking about James Gunn’s latest contribution of comic book nerdom. Episode #114
Read moreThe Warped Shelf – Watchmen: Part 1
Our first two-parter! This week we’re covering Watchmen by Alan Moore and Dave Gibbons and the adaptation directed by Zack Snyder. Next week will be Doomsday Clock and the HBO series. Episode #71
Read moreThe Warped Shelf – Filthy 10
In the calm before the storm, we’re doing another laid back episode. We talk about what we’ve played, watched, and somehow get on large tangents about Marvel and Jurassic Park. Episode #66
Read moreThe Warped Shelf – Harley Quinn
It’s been a while since our last Batman discussion and Frank has jumped on the HBO Max train, so we’re talking about the former DC Universe Original, starring everyone’s favorite Timm and Dini creation. Episode #59
Read moreThe Warped Shelf – Wonder Woman 1984
The Warped Shelf – Wonder Woman 1984 HBO Max gave us a Christmas present and like the spoiled brats we are, we have varied thoughts on it. Today we not only talk about the anticipated sequel, but what this might mean for movies going forward. Episode #56 New Intro music by GuaptheGuru Guaptheguru.beatstars.com
Read moreThe Warped Shelf – How To Get Into Comics
Following our anime episode, we have another installment to help you get cut your teeth on comics.
Read moreThe Warped Shelf – Filthy Casuals 2: Filthier
In another laid back episode, we talk about what we’ve been up to, what we’ve been playing, and go into DC Fandome.
Read moreThe Warped Shelf – Superman: Red Son
Among a pile of what-if stories surrounding Superman and his origin, we discuss what separates Mark Millar’s soviet retelling from the rest, and how the animated film translates these ideas.
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